Is there too much glamor? Not in Beverly Hills

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It was before the pandemic when clients of Los Angeles-based interior designer Oliver M. Furth approached him to modernize their new home in the coveted Beverly Hills apartments. The couple had recently moved from New York City in hopes of capturing the same urban charm but in a less chaotic environment.

“The husband and wife are both Californians,” says Furth. “And after living in Manhattan for two decades, they felt it was time to come home.”

The couple rented for a while before stumbling across the two-story Georgian-style property set on nearly half an acre in the heart of zip code 90210. “Beverly Hills is a garden city, but the apartments really are. urban: you’re only four blocks from all the stores, so everything is really within walking distance, ”he adds. “They see themselves as New Yorkers, so it was important for them to incorporate that urban feel into the design.”

A view of the pool on the half acre property in Beverly Hills.

Roger davies

The house was built in 1929; its original style was still somewhat obvious, but it had been overhauled several times over the years, and many period details had been entirely covered up or removed. Yet he had good bones and a lot of heart. “Oliver was very keen to keep what we loved – its charm, which reminded us of our apartment in New York – and make it livable and current,” the owners explain.

“We were looking for some kind of Paul Williams aesthetic,” says Furth, referring to the famous Los Angeles architect who once designed homes for Frank Sinatra, Barbara Stanwyck and Lucille Ball. “So I used [that era] as a point of reference to restore a certain architectural gravity to the house.

But even the best-laid out plans can go a little wrong: In Furth’s 10 months renovating and outfitting the house, the world has changed. “Initially there was a very structured basis for the design, but when we started the installation we decided to be a bit more fun based on the current state of affairs,” he says. The result is a colorful, functional, family retreat from the uncertainty that grips the world. “There is enough space so that we can all find our own space and not be on top of each other,” add the owners. “But the items meant to bring us together, like the downstairs den with the giant pink sofa, are never far away. “

Entrance hall

Oliver m Farth Beverly Hills
Designer Oliver M. Furth mixed modern and contemporary pieces in the lobby, including the vintage Philip Arctander Clam chair by JF Chen, a BCW Adjustable Mushroom table by Blackman Cruz, and artwork such as My American Cousin. by Mark Reigelman.

Roger davies

Furth started off with a nod to old Hollywood by laying the Carrara and Nero Marquina marble checkerboard floor, which spans much of the main level. The staircase, one of the original elements of the house, took on more importance when Furth chose to blacken the steps, adding to the graphic quality of the space. “We discovered the balustrade and handrail, which were both original, and then we custom built all the wall panels to showcase the staircase,” he says.

Salon

Oliver m Farth Beverly Hills
Furth selected several antique pieces by Fritz Henningsen, including a black chair and ottoman and a red leather chair (circa 1930), as well as an antique William IV mahogany and leather chair, all by JF Chen. He also bought a vintage chrome and blackened Vico Magistretti cocktail table to anchor the space.

Roger davies

Playing with the contrasts of colors and textures, Furth has created the ultimate lounge space worthy of a Fifth Avenue penthouse. “I gave the walls this beautiful fabric of Phillip Jeffries’ Manila Hemp Grass – with its’ Triscuit ‘texture – and highlighted it by lacquering the ceiling with Pratt & Lambert High Gloss Lacquer in Gun. Powder. ” He then juxtaposed the custom-upholstered Romo Linara “lipstick pink” linen sofa with the antique Mashad rug to accentuate the New York ambiance sought by the owners.

The owner’s collection of objects and works of art, including a Jean-Michel Basquiat Cabeza silkscreen: creates the final personal layer. Ryan Mennealy’s ceramic Love light fixture was a gift from husband to wife – cutouts are made up of dots and dashes that spell out the word love in Morse code, ”says Furth.

Food

Oliver m Farth Beverly Hills
With its enlarged footprint, the kitchen is a favorite place to get together with the family. The checkerboard floor is a perfect addition to Benjamin Moore’s custom cabinetry in High Gloss Black Satin and white subway tiles. The hand painted Roman shade is from Porter Teleo, the seats are vintage Bride’s Veil counter stools from the Twentieth Gallery, the Lariat pendant is from Apparatus and the fixtures are Wolf.

Roger davies

What was originally five bedrooms and a service staircase is now a place for the family to relax and be entertained. “The existing country-style kitchen was redone in the 1980s, with hand-painted tiles depicting farm animals,” Furth adds with a laugh. “That was the joke of the project because it is definitely not a country house.”

The designer extended the marble checkerboard floor into the space and clad the walls in white subway tiles. “Thanks to Oliver, our kitchen is the center of our home and also the sexiest and chicest room,” say the owners. “Not a person comes into our house who doesn’t comment – it’s not often that you see a black lacquer kitchen, especially in LA”

Breakfast corner

Oliver m Farth Beverly Hills
The Arne Jacobsen Lily armchairs from the 1970s add a touch of color. A Quincy chandelier from Circa Lighting hangs above the head and the custom shades were designed with World Linen fabric and Samuel & Sons grosgrain trims. Luke Edward Hall’s Devil Head Vase was acquired from Future Perfect.

Roger davies

“It’s a laid back place to get together with the family,” says Furth of this bright breakfast room. “There is a big bench to relax on, a bulletproof concrete table, a television, so between the kids, the dogs, the food and the red wine, anything can happen here.”

Furth had the vintage table updated with a custom tray by Concrete Cat and upholstered the custom bench with faux leather and had it put on casters. “I’m still thinking about what might happen in a decade, so if you take the bench seat away, the room could serve a whole new purpose,” notes the designer.

Dining room

Oliver m Farth Beverly Hills
The Ole Wanscher vintage rosewood dining table is by JF Chen, and the molded plastic side chairs are by Design Within Reach. Hubert LeHall’s chandelier was one of Furth’s first purchases for the project. An antique Chinese sideboard and Davis Allen spindle chairs for Knoll Exeter add to the glamor of the room. Another of the owner’s Basquiat silkscreen prints is flanked by a pair of contemporary Cross Globe table lamps from CB2.

Roger davies

“It’s pretty glamorous here, but it’s realistic glamor,” says Furth of the home’s dining room. “There’s an antique table and rug, sconces we found in Paris, and an Astrolabe chandelier, but the chairs are from Eames – they’re plastic and can tip over. I didn’t want something to be too valuable or difficult. We wanted people to feel comfortable, not only physically, but emotionally. For the color of the walls, he chose Brinjal from Farrow & Ball and had a matching custom gloss lacquer made for the ceiling.

Salon

Oliver m Farth Beverly Hills
The family’s ping-pong table sits on a vintage Mahal rug by Lawrence de La Brea. Seating includes an antique 19th-century Regency wing chair by JF Chen and Wonky dining chairs by Matthew Day Jackson from Future Perfect. Works by Mark Fox, Mark Reigelman and Marilyn Minter are hung everywhere.

Roger davies

“This space was going in one direction – we had nice silver leaf wallpapers and fancy curtains planned – but the pandemic was in full swing and we shifted gears,” recalls the designer. For this family, the change of management involved setting up their ping-pong table in the center of the room, but the utility room is also perfect for large dinners.

Unlike some of the more colorful pieces, Furth chose a combination of Farrow & Ball’s All White matte and gloss for the walls and ceiling. “This room is flooded with light from three different directions all day long, so we embraced it,” he says.

Formal powder room

Oliver m Farth Beverly Hills
The White Peonies wallpaper is by Design Alliance, the Anette swing arm sconces are by Circa Lighting, and the antique Italian faux bamboo ottoman is by JF Chen.

Roger davies

Furth outfitted this space, which serves as the main powder room for guests, with gold and gold brass fixtures and fittings in homage to 1930s glamor. “The client’s favorite flowers are peonies, so we have blows up that pattern, ”he says of the spectacular wallcovering. The personalized circular wire mirror, with ceramic beads handmade by Marie Christophe, was ordered by the husband as a gift for his wife.

Main bathroom

Oliver m Farth Beverly Hills
A Carter Hardware paneled tub creates spa-like elegance in the space. The Ann Sacks herringbone marble tile floor contrasts perfectly with the Gun Powder painted cabinetry by Pratt & Lambert. Next to the tub is a Double Tier Cloud side table handcrafted in Los Angeles by B Zippy.

Roger davies

“It was another little maze of rooms that we opened up to put a tub right in the center,” the designer said of his client’s dream bathroom. “There is a tight language in this house that is repeated throughout, with all the marble, the high gloss lacquered cabinets and walls, the very clean ivory linen blinds and the gilded brass and gold light fixtures.”

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