Curtain movie – Abajo El Telon http://abajoeltelon.com/ Tue, 07 Dec 2021 16:43:13 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://abajoeltelon.com/wp-content/uploads/2021/10/icon-120x120.jpg Curtain movie – Abajo El Telon http://abajoeltelon.com/ 32 32 Cyrano’s music and song by The National revealed in Featurette https://abajoeltelon.com/cyranos-music-and-song-by-the-national-revealed-in-featurette/ Tue, 07 Dec 2021 15:51:00 +0000 https://abajoeltelon.com/cyranos-music-and-song-by-the-national-revealed-in-featurette/ MGM has released a new behind-the-scenes look at their upcoming film, Cyrano, as well as a new single written by The National, titled “Someone in Despair”. The short clip pulls the curtain on this period piece, complete with stars Peter Dinklage, Haley bennett, and Kelvin Harrison Jr., director Joe wright, and screenwriter Erica Schmidt talk […]]]>

MGM has released a new behind-the-scenes look at their upcoming film, Cyrano, as well as a new single written by The National, titled “Someone in Despair”. The short clip pulls the curtain on this period piece, complete with stars Peter Dinklage, Haley bennett, and Kelvin Harrison Jr., director Joe wright, and screenwriter Erica Schmidt talk about this story of being loved for who you are.

The film, which is based on Schmidt’s theatrical adaptation of Edmond Rostand‘s Cyrano de Bergeracci, will take on a life of its own as many longer monologues and speeches will be turned into musical numbers. Members of the Grammy Award-winning group, The National, have joined the production to compose and produce the music that will help shape the narrative of Cyrano.

The choice of the filmmaker The National like the band that would lead the songs for Cyrano really makes sense when you hear the first single from the film, “Somebody Desperate”. The song gives us a dramatic piano line, supported by the low hum of the stringed instruments as we hear the iconic voice the band is known for, adding a sound of true desperation to the singer’s voice. You can listen to the full song here.


cyrano-kelvin-harrison-jr
Image via Sony Pictures Classics

RELATED: ‘Cyrano’: Peter Dinklage Performs ‘Your Name’ With Aaron & Bryce Dressner

Check out the film synopsis below and watch the full clip for this dramatic, musical retelling of a story about ‘feeling worthy to be loved’. The film is released in a limited version on December 17, followed by some theatrical screenings on January 21, 2022.

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Award-winning director Joe Wright envelops moviegoers in a symphony of emotions with music, romance and beauty in Cyrano, re-imagining the timeless story of a heartbreaking love triangle. A man ahead of his time, Cyrano de Bergerac (played by Peter Dinklage) dazzles whether it is by fierce puns during a verbal joust or by a brilliant sword play in a duel. But, convinced that his appearance makes him unworthy of the love of a devoted friend, the luminous Roxanne (Haley Bennett), Cyrano has yet to declare his feelings for her – and Roxanne fell in love, at first sight, with Christian (Kelvin Harrison, Jr.).


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“Cyrano” First Trailer Reveals Spectacular Musical Romance With Director Joe Wright’s Peter Dinklage

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Tic, Tic … BOOM! & 9 other films framed like a play https://abajoeltelon.com/tic-tic-boom-9-other-films-framed-like-a-play/ Fri, 03 Dec 2021 23:00:00 +0000 https://abajoeltelon.com/tic-tic-boom-9-other-films-framed-like-a-play/ Films based on plays are nothing new, with some being as recent as films like Ma Rainey’s black background, but only a certain selection really captured the same amount of theatricality in their presentation. While there are a few classic movies like those inspired by the works of Shakespeare, it takes a special breed to […]]]>

Films based on plays are nothing new, with some being as recent as films like Ma Rainey’s black background, but only a certain selection really captured the same amount of theatricality in their presentation. While there are a few classic movies like those inspired by the works of Shakespeare, it takes a special breed to recreate a true theatrical experience.

RELATED: 10 Broadway Stage Shows That Revolutionized Costume Design

It is difficult but certainly not impossible to create a film that resembles a play. Sometimes this even happens unintentionally with creative cinematography and literal directing. But whether the filmmakers like it or not, there are several films that really define the term “theatrical”.

ten The Hateful 8


Sam Jackson with two guns in The Hateful Eight.

While Quentin Tarantino’s biting western isn’t a play, it could and very well be. Besides the opening scene on the stagecoach, the entire film could be staged as a murder mystery in the vein of Agatha Christie’s work. It’s very easy to compare The Hateful Eight to a room like The mousetrap and And then there was none.

The Christie’s movie and plays take place in a secluded location, like Monkwell Mansion or Minnie’s Haberdashery, and involve a group of suspects with a murderer among them being arrested one by one. If treated well, a true theatrical adaptation of this brutal affair would sell out in no time.

9 Lorenzo


This Disney short is more like a ballet (or in this case, a tango) that tells a story through dance. Lorenzo weaves a dark, comical story of a spoiled fat cat whose tail is subjected to an evil dancing curse. Forced to tango and merengue with a piece of his possessed body, Lorenzo has to move and mambo against his will, until he’s forced to take matters into his own hands.

RELATED: 10 Disney Movies You Can See On Stage

The short is very funny, but it also takes an unusually dark turn for a Disney project towards the end. Without getting into the spoilers, it’s quite shocking to see what a desperate cat is capable of. Not only is the short film framed as a stage act in its angles and choice of music, but it even ends with a curtsy from the actors as the curtain closes.


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8 Bird man


The theater theme never really leaves Bird man in terms of location and presentation. Former superhero actor Riggan Thompson tries to make a name for himself on Broadway, his entire artistic fight and inner monologues with his superhero alter-ego are featured in the tone and delivery of a dramatic read.

Not only that, but the film is shot in one continuous take, showing the ins and outs of a theatrical production as Riggan deals with his internal critiques, portrayed by Birdman. It’s not just a dramatic comedy, it’s a fame and reputation character study.


7 Fancy


The wizard Mickey leading a broom carrying water

It might sound strange, but there’s a reason Walt Disney himself dubbed Fancy “the concert function.” The film, like a staging such as an opera, symphony or other classical performance, begins with the assembly of the orchestra before the opening. Everything that follows is essentially an act of production.

RELATED: 10 Best Stage To Screen Adaptations, According To IMDb

Along with Deems Taylor’s narration, Mickey Mouse himself even comes out of character to congratulate Maestro Stokowski. The show even has an intermission between the production halves. Needless to say, Walt knew exactly what he was doing.


6 red Mill


The film is both Oscar nominated and worthy of cult film status, but it could be argued that modern musical films like Sweeney todd and even La La Land be inspired a little by Red Mill. In a way, Baz Luhrman’s beloved jukebox musical brought back the Broadway archetype that fans know and love today.

Although it draws inspiration from other mediums like silent films and circus acts, it is undeniable that the musical motif of the stage is the star of the show. The fantastic sequences often resemble Broadway sets, the score, acting and presentation are all grand and grand and over the top, and it all comes together in magical harmony as a true theatrical production should. It’s no wonder he finally came full circle and got a Broadway adaptation.


5 Cabaret


It should come as no surprise that a film literally titled Cabaret would take more than a few clues of cabarets and burlesque acts. Based on the musical of the same name and choreographed by legendary Bob Fosse, the film Cabaret holds up well and goes to great lengths to capture the elements of a seedy late 1930s cabaret. However, this only happens when the perspective shifts inward from the Kit Kat Klub.

RELATED: 10 Best Movies Based On Musicals

That being said, opening the movie up with the macabre Emcee’s intro song, sprinkling a few acts on stage, and ending with the drawing of a curtain sells the stage acting effect.


4 The pirates of Penzance


Based on the Gilbert and Sullivan opera of the same name, the film adaptation of Pirates of Penzance is one of those movies that knows it’s a movie, only it’s more like an opera trying to be a movie. While the cinematography and camera work is certainly cinematic quality, the sets, performances, and acting all feel like something taken straight out of a staged version of the musical.

It’s cheesy, it’s overkill, but it’s all so self-aware that it makes it a cutting edge comedy. With performances like Kevin Kline and Angela Landsbury, one shouldn’t expect less than theater.




3 Jesus Christ Superstar


Jesus Christ Superstar 2000

The two film adaptations of Andrew Lloyd Webber’s rock opera deserve a mention, but both offer totally different flavors to the table. The original from the 70s Jesus Christ Superstar literally opens with a group of hippies in the Holy Land preparing to put on a passionate play, but the 2000 remake feels more like a filmed staging of the musical.

RELATED: 10 Bloody and Beloved Horror Stage Musicals

But whichever version a viewer decides to choose, there’s no denying that the directors recognized that it was first a musical and then a movie. Both versions feature different aspects of the stage production, with the original building on the counter-culture movement and the remake trying to be more like a musical theater experience with its directing, songs and dancing. The two are separate but equal parties who understood the mission.


2 Tic, Tic… Boom!


Jonathan sings on the piano on stage in Tick, Tick ... Boom!

One of the most recent entries in the musical film genre is that of Netflix Tic, Tic … Boom!, and it serves as an ingenious hybrid both on stage and on screen. The film oscillates between the life of composer Johnathan Larson and the performance of his monologue in front of a crowd at the New York Theater Workshop.

In doing so, the film not only offers a strong adaptation of the stage production, but a brilliant mix of mediums. Larson’s life, work, struggles, and awesome songs are all well represented visually and musically, but without sacrificing the element of storytelling found in the middle of the stage.


1 Chicago


Catherine Zeta-Jones in Chicago

Of all the musicals to receive a film adaptation, Chicago was to be one of the most difficult to adapt. However, Rob Marshall took original staging into account when creating his Oscar-winning adaptation. Like the aforementioned musical, Chicago mixes its cinematic elements with its theatrical elements to create the best of both worlds.

On one side of the coin, the film’s dramatic and dialogue-rich moments are treated like a normal movie, but it becomes a broadway-style feel when Chicago songs and musical numbers come out to play. Accompanied by a jazz band and a cheering audience, the film is a shining example of what a musical film can be.

NEXT: 10 On-Screen Stage Movies To Watch If You Like Ma Rainey’s Black Background

Split image of Paul in Funny Games, Arthur in Joker and the Gypsy in Drag Me To Hell


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11 of the best gifts for sci-fi and fantasy fans this holiday season https://abajoeltelon.com/11-of-the-best-gifts-for-sci-fi-and-fantasy-fans-this-holiday-season/ Wed, 01 Dec 2021 23:08:00 +0000 https://abajoeltelon.com/11-of-the-best-gifts-for-sci-fi-and-fantasy-fans-this-holiday-season/ This article contains affiliate links, where we may receive a percentage of any sales made from the links on this page. Price and availability exact at time of posting. The past year has brought to the fore some fantastic sci-fi and fantasy movies and TV shows. Based on the adaptation of the blockbuster Denis Villeneuve […]]]>

This article contains affiliate links, where we may receive a percentage of any sales made from the links on this page. Price and availability exact at time of posting.

The past year has brought to the fore some fantastic sci-fi and fantasy movies and TV shows. Based on the adaptation of the blockbuster Denis Villeneuve of the film by Frank Herbert Dune to the Robert Jordan fantasy series The wheel of time find a home at Amazon Prime, there was plenty to enjoy this year. So if you know someone who is now obsessed with all things sci-fi and fantasy, here are 11 awesome gifts for them this holiday season.

1. Westeros and Essos Globe 3D puzzle from Game of Thrones; $ 49

Check out the 4D Cityscapes “Game of Thrones” 3D puzzle map on Amazon.

George RR Martin’s Game Of Thrones kicked off when the show of the same name premiered on HBO in 2011. Though fans will have to wait a bit for Martin’s The Winds of Winter forthcoming and HBO prequel series Dragon house, you can overcome them with this Westeros and Essos 3D puzzle.

Buy it: Amazon

2. I. Asimov: a memoir by Isaac Asimov; $ 9

Meet Isaac Asimov 'I from Bantam.  Asimov: A Memoir 'on Amazon.

Meet Isaac Asimov ‘I from Bantam. Asimov: A Memoir ‘on Amazon.

Apple TV + fans Foundation will likely, or hopefully have read the series of books on which the series is based by Isaac Asimov. Those looking for a peek behind the curtain will appreciate the prolific life-span sci-fi writer’s third autobiography published in 1995, three years after his death.

Buy it: Amazon

3. The Lord of the Rings Prancing Pony beer mug; $ 44

Check out the

Check out the “Lord of the Rings” Prancing Pony mug by Wildmugs on Amazon.

JRR Tolkien and Peter Jackson’s adaptations of The Lord of the Rings are the peaks of fantastic books and movies. There is a wide range of goodies for fans of Middle-earth, but this Prancing Pony mug will make any fan or hobbit happy and let them pretend to be in a fictional pub.

Buy it: Amazon

4. Gale Force Nine Dune: a game of conquest and diplomacy; $ 49

Discover the game

Check out Gale Force Nine’s “Dune: A Game of Conquest and Diplomacy” game on Amazon.

Denis Villeneuve film adaptation of Frank Herbert’s novel Dune finally released in theaters last October. Fans of the sci-fi series were thrilled and excited for the second part. In the meantime, while they wait, treat them to this movie-based board game and find out who can control Arrakis and the Spice.

Buy it: Amazon

5. The Seven Ring Wheel of Time T-Shirt; 23 $

Check out Amazon's 'The Wheel of Time' shirt.

Check out Amazon’s ‘The Wheel of Time’ shirt.

Episodes of the highly anticipated Amazon Prime fantasy series The wheel of time, an adaptation of Robert Jordan’s 14-book series, has started to release and fans seem to be happy. The online retailer and sometimes the entertainment site has launched merchandise for its show, including this shirt with seven Aes Sedai rings like the one worn by Rosamund Pike’s character, Moiraine.

Buy it: Amazon

6. Star Trek Transporter Heat Change Mug; $ 17

Check out the Unemployed Philosophers Guild 'Star Trek' heat-responsive mug on Amazon.

Check out the Unemployed Philosophers Guild ‘Star Trek’ heat-responsive mug on Amazon.

– Teleport me, Scotty. Fans of Star Trek: The Original Series will enjoy this thermo-changing mug that acts as a transporter sending characters like Spock, Captain Kirk and Lieutenant Nyota Uhura from the USS Enterprise to an alien planet.

Buy it: Amazon

7. The Witcher: The Last Wish: illustrated edition by Andrzej Sapkowski; $ 33

Discover

Check out Orbit’s “The Witcher: The Last Wish Illustrated Edition” by Andrzej Sapkowski on Amazon.

Before Geralt of Rivia, played by Henry Cavill, killed monsters on our Netflix, he started in the books of Andrzej Sapkowski. For fans of books, video games, or the Netflix show, this illustrated edition of the series’ first to read book, The last wish, is a great gift idea. It won’t be released until December 14, so there’s no way they’ll have a copy already.

Pre-order it: Amazon

8. Star Wars Death Star Waffle Maker; 40 $

Discover the waffle iron

Check out the Pangea Brands Death Star “Star Wars” Waffle Maker on Amazon.

Turn Star wars turn the holidays into an occasion with this double-sided death star waffle maker. Fans of the movies can savor a waffle shaped like the most terrifying spaceship in the entire galaxy.

Buy it: Amazon

9. Harry Potter Wizard chess set; $ 49

Check out the Harry Potter Wizards Chess Set from the Nobel Collection on Amazon.

Check out the Harry Potter Wizards Chess Set from the Nobel Collection on Amazon.

Many fans will be seeing the first film again this year in honor of the 20th anniversary of Harry potter and the sorcerer’s stone. Pay homage to the 2001 classic by gifting your friend a real wizarding chess set, violent magic pieces not included. Then you and your Potterhead friend can play together.

Buy it: Amazon

10. LEGO Marvel Infinity Gauntlet Set; $ 70

Check out LEGO's Marvel Infinity Gauntlet on Amazon.

Check out LEGO’s Marvel Infinity Gauntlet on Amazon.

While the Marvel Cinematic Universe isn’t really science fiction, it does contain some time-bending elements that make it feel like part of this world. The universe is wasting time with Thanos’ Infinity Gauntlet, which your MCU obsessed friend can now build. Comprised of 590 pieces, this LEGO replica comes with a display stand and map so that even DC fans can get to know this accessory.

Buy it: Amazon

11. Shadow and Bone: Leigh Bardugo’s collector’s edition; $ 22

Discover the collector's edition

Check out the Henry Holt and Co. “Shadow and Bone” Collector’s Edition by Leigh Bardugo on Amazon.

Leigh Bardugo’s first Grishaverse book has now been adapted into a Netflix show, so it’s only natural that a collector’s edition of the book will be released. This tome features new artwork, an exclusively designed hard case, and more. Get this for your friend who’s read the trilogy a thousand times or for the Netflix freak who hasn’t read the books yet.

Buy it: Amazon


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10 family movies from the 2000s that deserve a follow-up https://abajoeltelon.com/10-family-movies-from-the-2000s-that-deserve-a-follow-up/ Mon, 29 Nov 2021 23:00:00 +0000 https://abajoeltelon.com/10-family-movies-from-the-2000s-that-deserve-a-follow-up/ As the industry has become so invested in superhero films, family films are practically rare between these days, but the 2000s were full of them. RELATED: 10 Great Animated Movies Of The 2000s That Deserved Sequel While family films are easy viewing experiences, these films were uniquely daring, which may be part of the reason […]]]>

As the industry has become so invested in superhero films, family films are practically rare between these days, but the 2000s were full of them.

RELATED: 10 Great Animated Movies Of The 2000s That Deserved Sequel

While family films are easy viewing experiences, these films were uniquely daring, which may be part of the reason why no potential sequel has been illuminated. Between an adorable criminal fox, one of the most entertaining body swap movies, and tons of fantastic movies, there was so much potential for sequels in this decade.

Fantastic Mr. Fox (2009)

Mr Fox toasts in a supermarket in Fantastic Mr Fox

It’s a shame Fantastic Mr. Fox did not perform well at the box office, as it is one of the most unique animated films of the 21st century. The stop-motion puppets in the film gave the film a compelling aesthetic, not to mention that it was largely faithful to the source material, as it follows a criminal gang of foxes committing robberies while being hunted down by three farmers. .

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The movie had a humor so dry it might go over children’s heads, but it’s perfect for parents, making it one of the hilarious 2000s comedies everyone forgets. And given that it’s animated, a sequel is still possible, narratively speaking. It might even bring back the original vocal cast, which was an impressive roster of movie stars including George Clooney, Bill Murray, and Meryl Streep.

The Haunted Mansion (2003)

Eddie Murphy as Jim Evers in Haunted Mansion with Eyes Wide Open

Disney has tended to turn its theme park rides into movies, and they continue to do so occasionally, as seen with the most recent Jungle cruise. The most famous, Pirates of the caribbean was based on a trick, and it was a huge success, but the same can’t be said for The haunted mansion. But even if it didn’t pull in the box office numbers that Disney wanted, it was still a fun movie full of Eddie Murphy’s quirky humor and energy.

The film follows a real estate agent who brings his family to the mansion, only to realize that he is a sensitive being and that he ends up being tormented. The movie is fun and harmless, and there is so much more that could have been done with the mansion in the sequel. And while this is unrelated, the most recent Monster house is a fun movie in the same vein as the 2003 film.

Zathura (2005)

Zathura

While board games are a thing of the past for some people, with apps taking center stage, there’s a lot of nostalgia in playing with something physical rather than digital. This is why the new Jumanji the movies, while fun, do not capture the magic or spirit of the original. However, Zathura was a spiritual successor and a spin-off of the original Jumanji, and it’s almost the same movie with different skin.

RELATED: 10 Great Animated Movies Of The 90s That Deserved Sequel

The film follows two brothers who find a dusty board game, and when they play it, it transports them to space. A sequel could have pushed the narrative further into space and alien life, or there could even have been a spin-off with a whole new kind of transport board game.

Flown (2001)

Chihiro and Haku met at night in Spirited Away.

When it comes to Studio Ghibli movies, adults and kids love each other just as much, almost even more than Pixar movies. The greatest example of this is Abducted as if by magic, a 2001 film about a young girl who stumbles upon a fantasy land filled with witches, spirits and other Japanese folklore.

There is so much world-building in the movie that the lack of a sequel is wasted potential. However, part of the appeal of Studio Ghibli films is the mystery that envelops the narratives. So there’s a chance a follow-up would reveal the man behind the curtain, which would spoil the fun. But on the other hand, even if it’s not a sequel, a live-action Abducted as if by magic would look great.

A Series of Unfortunate Events (2004)

UNHAPPY EVENT SERIES 2004 film with Jim Carey

Being the pioneering wacky character actor that he is, Jim Carrey was on an endless streak in the 1990s and 2000s. The actor went from The grinch and Almighty bruce To Eternal sun of the spotless spirit, all in a few years, and A series of unfortunate events was fast becoming another classic Jim Carrey slapstick vehicle.

Based on the children’s book series of the same name, Unfortunate events follows Count Olaf, who tries to swindle his distant relatives of their inheritance. Given that there are so many books in the series, the movie could have been the start of a huge series, and according to Variety, that was the original plan. However, there’s the Netflix reboot, which is almost as good.

Bridge to Terabithia (2007)

Jess and Leslie race to see who's faster

Bridge to Terabithia is one of the most engaging and visually inspiring fantasy films of the 2000s. It follows two fifth graders who create Terabithia, a fantasy land where they can forget about their life issues. The film had the perfect foundation on which to build a franchise, and the world of Terebithia leaves audiences begging for more.

RELATED: 10 Comedy Movies From The 2000s That Deserved A Sequel

There’s no sequel to the novel the film is based on, so there wouldn’t have been any source material to release if a sequel was in development. However, as movie studios will force production of any sequel if the original is successful, it’s surprising Disney didn’t, as the 2007 film was a huge box office success.

Elf (2003)

Will Ferrell as Buddy the Elf while waving Elf

It didn’t take long to Elf to become a classic Christmas movie, as it was a staple on TV just a few years after its release. Its status as an instant classic is due to the fact that it combines almost stoner comedy humor with heartfelt family schmalz and so many Christmas imagery.

Given its success, Elf 2 Should have launched into production immediately, but 18 years later fans are still waiting. However, it’s not like the studio doesn’t want to do it, and New Line Cinema has tried to get it off the ground so many times. But Will Ferrell turned down $ 29 million for Elf 2 because he just thought it wouldn’t have been good.

Black Friday (2003)

Tess and Anna look at each other in the mirror after the body swap in Freaky Friday

There are several versions of Horrible friday, and the 2003 version was not the first. There have been so many variations on the body swap formula since then, but the film starring Lindsay Lohan and Jamie Lee Curtis is a classic for a whole generation of 2000s kids.

It might have been difficult to create a sequel, given the mother and daughter had already swapped bodies once. However, with Anna being a high school student, the body swap would have been fun to see in the next phase of her life: college. The film could still be shot today, 18 years later, as it could see Anna, now mother, and Tess, now grandmother, having to keep the body swap secret from children.

Holes (2003)

Holes tells the story of a group of boys at a correctional training camp in Texas where they are subjected to digging holes all day long in the scorching sun. It is one of the few mystery films that is suitable for children and adults alike, and more impressive still, it is able to captivate both audiences.

Holes is a standalone story that comes neatly wrapped up at the end of the two hours, but there was still more story to be told. As Holes is based on the novel of the same name, author Louis Sachar wrote a sequel titled Small steps, who follows Armpit after his release from Camp Greenlake.

Where Are the Wild Things (2009)

Max and Wild Thing walk together at sunset in Where The Wild Things Are

Surprisingly, writer-director Spike Jonze was able to stretch the thin picture book of Where the wild things are in a 100 minute movie, because there isn’t too much source material to stream. But since Jonze has essentially created a whole fantasy world based on a few drawings, the author’s imagination knows no bounds. He would easily be able to cut another skinny, handsome family movie off the property.

On top of that, the movie is unlike any other movie ever made. Between the creatures of Wild Things themselves, which are made with a combination of physical and digital effects, and the world of jungle and sand dunes, the film’s inventiveness lends itself to a series.

NEXT: 10 Comedy Movies From The 90s That Deserved A Sequel

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RISE OF THE CURTAIN: O THE HEART LEADS – Journal https://abajoeltelon.com/rise-of-the-curtain-o-the-heart-leads-journal/ Sun, 28 Nov 2021 02:08:06 +0000 https://abajoeltelon.com/rise-of-the-curtain-o-the-heart-leads-journal/ Kamran Bari, who some would recognize as the co-frontman of the music group Suroor, asks Adeel Pervaiz Kaleem – son of writer-director Pervaiz Kaleem, often credited in films as editor Adeel PK – to turn off the bathroom lights. mounting their desk. At the computer, a young assistant, who has been listening to our conversation […]]]>

Kamran Bari, who some would recognize as the co-frontman of the music group Suroor, asks Adeel Pervaiz Kaleem – son of writer-director Pervaiz Kaleem, often credited in films as editor Adeel PK – to turn off the bathroom lights. mounting their desk.

At the computer, a young assistant, who has been listening to our conversation for a while, puts his head to the beginning of the title song of the film Kahay Dil Jidhar (KDJ) – a happy number with Kamran (also the actor, screenwriter and producer of the film), Junaid Khan, Mansha Pasha and Roma Michael as the cheerful and young versions of their characters.

The film tells the story of four friends, how they break up, become part of an imperfect and corrupt system – Junaid becomes a cop, Mansha a TV presenter, Roma his research assistant and Kamran, unsurprisingly, a musician – then come together for the greater good.

If you’re one of the 30,000 viewers who saw the KDJ trailer in January and have a good memory, you might remember bits of that upbeat track at the very end of that serious first look at the film. .

As well as being the debut of musician Kamran Bari as an actor and producer, the upcoming Kahay Dil Jidhar is also about friendship and values. His creative team hopes to strike a balance between the needs of commercial cinema and conveying the message he wants to convey. Will they succeed?

A better version of the song can be heard in the new trailer which debuted a few weeks ago with the announcement of the film’s release date: December 17th.

Shot in Naran, Kaghan and Saif-ul-Muluk, the must-see “cinematic” areas of northern Pakistan, the full song, where the cuts land surprisingly at the shifting pace and tempo, is catchy – just like the next three numbers I Am show.

Mastam, possibly set at a pivotal point in history before young people turned into serious adults, is a party act bathed in shades of blue, pink, and purple. In the song, the alcohol is flowing freely and the drugs are snorted and swallowed harmlessly. Normally, the amount of intake you see onscreen would likely kill a hippo, but I’m guessing the young adults in the movie have more robust digestive systems than the animals – and they can jump to the beat of the song for start without switching. Chalk one up to the film license, I think.

Mansha Pasha – whom I’ve never seen in an avatar like this (i.e. dressed in a shimmering silver top and pants) – moves to the beat, sending sultry, inviting looks straight out in the objective. There are others in the scene as well – Dino Ali DJ-ing the rave party, Junaid, Kamran and Roma sensualized in a skimpy dress.

The song intersects with Atiqa Odho in a drastically different dress code: the uniform of the leader of the Anti-Narcotics Force. His character raids a warehouse and shoots down the bad guys.

The next song I see has a spoiler: a dark background song for a road trip that would likely play in the third quarter of the movie (to say more would probably betray the movie).

The last one, also one of the first songs we’ll see in KDJ according to Kamran, is Dholna – one of those wedding / engagement numbers that sound great, but look better on screen. The music for the film is by Atif Ali and Kamran Suroor’s band.

At my request, the aforementioned young assistant plays a scene between Kamran and Atiqa Odho. Surprisingly, Kamran, who would make his debut as an actor, feels competent.

KDJ, the actor-producer tells me, is a film he wanted to make for a long time – 2014 to be precise. However, he wanted to be an actor even longer. Even before he was part of Suroor, he said.

“I was still in grade 9 when I wanted to be an actor. Now my daughter is in the 9th grade. Whenever Allah gives you this opportunity, I guess, ”he laughs.

This, however, is a risky time to release the movie… not that Kamran knows.

Adeel PK, the creative producer, editor and co-writer, sitting across from Kamran, says the pandemic threw a wrench into their plans, otherwise KDJ would have already been released and there would be another film in production.

Kamran reaffirms: The plan is to make at least two films a year, and the plan really doesn’t depend on KDJ’s box office success or failure.

There is authenticity in Kamran’s words and his body language. Eager to listen to the stories of the industry and how it works, to understand and learn first-hand production and distribution practices, Kamran accumulates knowledge on the go.

As we speak, we realize that he knows KDJ is a test for bigger things. But rather than embarking on a little adventure, learning the ropes and then making a film for the big screen, he chose to go all out. It’s a risky business, yes, but one that will teach him a lot.

“Kamyaabi nateejay mein nahin, koshish mein hai [Success isn’t in the outcome, it’s in the struggle]. “It is also the motto of his company, Wajdaan Films.

“We made the best movie according to our ability,” he told me, “the rest is with Almighty God – and the audience. “

Jalaluddin Roomi, the director – who went on a set and didn’t respond until this feature was printed – was the only one Kamran reached out to, as he was the only one he knew and with who he felt comfortable with (Jalal directed the clips for Suroor and other bands).

KDJ was filmed between August, September and October 2019 with a 35 day filming schedule, including songs.

Making a big commercial film in such a small timeline isn’t a minor feat – but again, back in the days when movies were actually called movies for a reason (i.e. they were filmed on celluloid), Lollywood’s routine fare wrapped filming in a month. But that was at different times. Today, the challenge is to bring the public to the cinema seats.

Adeel PK confirms that Pakistani audiences are harder to win over when it comes to films, which is why Kamran claims he made the film with as many commercial elements as possible. Most of them, he says, happen naturally because of the story.

There is a message, he tells me in detail, about young people and how they are led astray by their own fallibilities. This, he says, is done without “bhaashan” [sermonising]. KDJ is above all a commercial film, he reiterates. The message is embedded in the story, and the story is about friends and friendships, and how the relationship changes at different times in life.

“Let’s say we are three friends and one of us falls into drugs or other bad habits. What we don’t do is stop that friend from ruining their life because we’re afraid our friend will stop hanging out with us. By remaining silent and taking no action, we save our friendship but lose our friend – that is KDJ’s goal.

Two hours late, this screenwriter leaves the Wajdaan Films editing room to go to a house that also served as a stage set for the soap opera Koyal, directed by the very, very cold Yasir Hussain. I am here to meet Mansha Pasha.

“I’m known to ask a lot of questions – senior manager ka sar khaa jaati hoon [I drive directors mad], I ask so many questions, ”Mansha says.

In a scene with Noor-ul-Hasan, who plays her father, she asks the assistant director why she brings him bread and milk at dinner time. Mansha adds a line that legitimizes the reason for this action in the scenario.

We sit at a dining table during her five-minute break, where she tells me that she also asks a lot of questions on the KDJ set. As an actress, she needs to know what she is doing and why.

“I think people thought I wanted to do another movie like Laal Kabootar, mainly because I’m considered a serious actress who does a lot of serious projects. When Laal Kabootar came out, I decided that my next project would be… ”, she reflected for a moment,“ maybe not shock people but entertain them in a different way.

“Usually, I don’t judge a project by its script. I judge the script on the basis of the filmmaker. Frankly, I’ve read good scripts that are ruined in the hands of bad directors, ”she continues.

“When I met Jalal, I felt [the script] was something he understood. It was like he knew what I [as a character] wanted to [in the scope of the story], and how to get it out of me. He was on the mind of a desi person, like my husband, and knew what they would like to see on screen, with a story, a message, with the right emotions and compelling visuals.

Speaking of her character, Mansha cryptically offers a few details. “He’s a person who has stood up for a lot of good things, but like anything else your aspirations start somewhere. In order to achieve anything in life, you go through a journey where you have to give up a lot of what you believe in. However, it is not someone who has given up [her ideals].

“It’s like a question mark in his head. She is aware that she is giving up a lot of things that she once believed in, and it harasses her – it is not something that she is not guilty of. She knowingly does things to achieve a certain position of power. “

In KDJ, Mansha plays a news anchor with shades of gray. While this is a crazy coincidence, the character she plays is similar to the one Kiran Malik plays in Shaan Shahid’s Zarrar, a movie that ended years ago.

Junaid Khan, the film’s main character, is in the United States when we log on. Playing the son of a minister (Sajid Hassan), the character – who starts out young and carefree and becomes a tough, tough cop – gives the actor plenty of room to play creatively.

“Mustaches make all the difference,” he says. ” You do not believe me ? Grow one. It changes your whole attitude. He almost died seriously.

“I haven’t adapted the character of any existing character from a movie and I’ve never been able to play such a character on television. The characters I usually play are mature, who start their screen life when they’re married, ”he explains.

Correcting Kamran’s perspective on the story, its theme, and the characters, Junaid tells me that playing a cop is both a necessary cliché and a necessity for the story.

However, brutal and indestructible cops are not just a cliché in our region, he stresses. Hollywood films also rarely stereotype. Heroes, according to general public expectations, are often stereotypically male, larger than life, and so the police and military tend to become the go-to professions for the good guys in these stories, he explains.

“It ticks off a checklist. Aggressive, macho, tough. It’s a very cliché but doable formula. Plus, with the police, you can beat the bad guys within the system, which is more convenient and politically correct – and of course any man looks great in a wardi. [uniform]. “

KDJ, as Junaid, Kamran, Adeel, and Mansha explain, wants to go the extra mile and tackle – or at least tackle – issues big and small, without sounding judgmental – while also attracting people who yearn for mainstream movies.

No matter who you ask from this team, they’ll say it’s a delicate balance – although they feel they’ve maintained it pretty well. The rest, as Kamran says, belongs to the public.

Distributed by Mandviwalla Entertainment, Kahay Dil Jidhar hits theaters across Pakistan on December 17th

Posted in Dawn, ICON, November 28, 2021


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A look behind the scenes with Godzilla, the “King of the Monsters” https://abajoeltelon.com/a-look-behind-the-scenes-with-godzilla-the-king-of-the-monsters/ Fri, 26 Nov 2021 01:45:30 +0000 https://abajoeltelon.com/a-look-behind-the-scenes-with-godzilla-the-king-of-the-monsters/ Norman England is a longtime fan of the giant monster movies of Japan, including Ishiro Honda’s “Godzilla”, the iconic 1954 film that launched the kaijū kind (monster) around the world. His obsession led him to become the Japan correspondent for Fangoria, a horror movie fan magazine based in the United States. In 1997, the year […]]]>

Norman England is a longtime fan of the giant monster movies of Japan, including Ishiro Honda’s “Godzilla”, the iconic 1954 film that launched the kaijū kind (monster) around the world. His obsession led him to become the Japan correspondent for Fangoria, a horror movie fan magazine based in the United States.

In 1997, the year he joined the publication, England interviewed Shusuke Kaneko, who had directed “Gamera: Guardian of the Universe” (1995) and “Gamera: Attack of the Legion” (1997) – two films who revived a series starring the titular giant flying turtle that studio Daiei launched in the 1960s. The original films had been entertainment for children, but Kaneko took the series in a scarier, more grown-up direction that intrigued England.

Behind the Curtain of Kaiju: A Journey to Japan’s Greatest Film Sets, by Norman England
250 pages
AWAI BOOKS

His interview with Kaneko slowly turned into a friendship that lasted through the director’s work on “Gamera: Revenge of Iris” (1999) and two films in the “Godzilla” series, “Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack. (Abbreviated as “GMK”) in 2001 and “Godzilla: Final Wars” in 2004. With the support and encouragement of Kaneko, England has spent months on the sets of these and other “Godzilla” films. , Taking thousands of photos and emailing detailed reports to friend and fellow kaijū movie buff Ed Godziszewski in the United States.

These emails and England’s detailed reports on Fangoria form the basis of the new book “Behind the Kaiju Curtain: A Journey to Japan’s Greatest Sets,” an insider tale of monster movie making. Japanese who goes into everything from his techniques to his unwritten rules, while bringing his personalities to life. The book also captures a time – the late 1990s and early 2000s – when the Japanese film industry was shifting from traditional practical effects, such as those involving monsters in human costumes, to green screens, and to infographics.

“The way they did ‘GMK’ is no longer done,” England told the Japan Times. “Even then, the craft that they were bringing to that, the miniatures and so on, was starting to fade away. At the time, I didn’t know I was there at the peak.

The process of writing the book took almost four years to sift, cut and rewrite with the help of publisher Patrick Galvan. I tried to convey the essence of the experience so that the readers would be there with me. This goal, he adds, was there since the beginning of his journalistic career: “I always had in mind when the opportunity arose to be on the set. So I tried to keep very precise notes on what was going on. And I took a ridiculous number of photos.

His original plan was to write a conventional “making of” book focused on the “Godzilla” series, but when he first bought the proposition in the early 2000s, no one was interested. “Godzilla was really at one of his lowest points then,” he says.

Also, at this point, England’s relationship with Toho, the studio behind all of the “Godzilla” movies, was starting to crumble. “They had really fallen on me,” he said. “Like why the hell is this guy so on set?” But I have enough already.

Nonetheless, he describes the experience of being on the sets of kaijū as “mostly fun – I met a lot of great people”.

“There were a few who resented my presence,” he adds. “In general, however, people were excited about my interest. And they knew I was writing for Fangoria, which was really the key. Everyone wanted to be recognized in the West, so they saw that as my job. “

During the production of “GMK” – an experiment that is the centerpiece of the book – England launched an English web page for Toho filled with photos and news. “I still have fans today,” he says. “I always get people saying ‘I loved your reports.’ But Toho pulled the page two years ago.

In England, being on set and working directly behind the scenes was addicting. “Every day was different. Every day was a new challenge, something new to see, like explosions. And I love explosions, ”he laughs. “Sure, some days were boring, like when they were doing things on the green screen, but I found the process of directing very interesting.”

As the only non-Japanese on set, however, he had to be careful not to upset the sensibilities of the staff, some of whom had worked on the show for decades. He mentions a veteran author of kaijū books who visited the set of “GMK” and got excited when a light cast Godzilla’s shadow on the wall. “He was like ‘Oh my God, that’s the shadow of Godzilla!’ England says. “He really made the staff nervous by being too the otaku (obsessed fan). They ended up banning him from the set because he was too old-fashioned. I’m a Godzilla nerd too, but I knew he shouldn’t be taken seriously.

Instead, England made jokes to lighten the mood. He remembers a producer telling him, “When you’re on set, the staff are really excited. You have a very good effect on them.

“But then he asked me to tone it down,” England adds.

Norman England (left) and director Shusuke Kaneko (right) on the set of “Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack”. | WITH THE AUTHORIZATION OF NORMAN ENGLAND

Especially at the beginning of his career as a reporter on the set, England sometimes went beyond what were invisible borders for him. Once, he was reprimanded by a representative of the cinema advertising for taking a lunch box, which was normally reserved for the team. “But Kaneko told me to take it,” he explains. Another time an assistant director yelled at him for talking to an actor between shots – another no-no – but the actor spoke to him first. “I said ‘I’m going home. Don’t yell at me. I just got home.

Soon, however, he was “in the trenches” again. “It wasn’t all fun and games,” he says. “I was very aware that at any time I could do something wrong and get kicked off the board.”

In the end, England found themselves less accepted for following the line and more for their own love of cinema. “This is how I managed to convince the filmmakers,” he says. “It wasn’t so much about how I respected them. It was showing a passion for cinema and showing them that cinema was part of my being.

This included Kaneko, a reserved and scholarly bloke that England found unvailable when they first met. “He wasn’t as accessible as some of the others, not as open,” he recalls.

Then one day they started talking about Steven Spielberg’s 1984 film “Indiana Jones and the Temple of Doom”, of which they were both huge fans. England’s description of a scene, in which a seemingly dangerous threat to Indiana and her companions turns out to be a clever visual gag, thrills Kaneko and breaks the ice. From there, a beautiful friendship began.

For England, this meeting was also a lesson in what really motivated people working long hours under harsh conditions to bring Godzilla and his scaly enemies to life: the explosion. “

Or, for that matter, to see the “king of the monsters” terrorize Tokyo.

In a time of both disinformation and too much information, quality journalism is more crucial than ever.
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The Penobscot Theater offers hope in its first production after 20 months of darkness on stage https://abajoeltelon.com/the-penobscot-theater-offers-hope-in-its-first-production-after-20-months-of-darkness-on-stage/ Tue, 23 Nov 2021 23:00:00 +0000 https://abajoeltelon.com/the-penobscot-theater-offers-hope-in-its-first-production-after-20-months-of-darkness-on-stage/ The word “hope” in capital letters greeted spectators on Saturday at the Bangor Opera House, where the first live performance in 20 months took place. Projected in white letters on the opulent new teal curtain, the word represented what got the staff of the Penobscot Theater Company and their supporters through the coronavirus pandemic and […]]]>

The word “hope” in capital letters greeted spectators on Saturday at the Bangor Opera House, where the first live performance in 20 months took place.

Projected in white letters on the opulent new teal curtain, the word represented what got the staff of the Penobscot Theater Company and their supporters through the coronavirus pandemic and its aftermath, Executive Director Jen Shepard, who took charge from the professional theater company last summer, the opening night audience said.

Hope is also the theme of “Miracle on 34th Street, A Live Musical Radio Play,” the company’s 48th season opening show. PTC presented a similar production based on the holiday movie “It’s a Wonderful Life” in 2015. For decades, the company played Charles Dickens’ “A Christmas Carol” in December, but switched to musicals about. 10 years.

This year’s holiday show is based on the 1947 film “Miracle on 34th Street”, in which a man who claims to be Kris Kringle and works as Santa Claus at Macy’s department store in New York turns out to be the real deal. . There is romance, business rivalry, and an uncertain girl who turns into a true believer.

“Miracle”, the play and film, are not as well written as the two versions of “C’est une vie marveleuse”, released in 1946. The characters in “Miracle on 34th Street” are not as intriguing, l The plot is not as complex and there is not an angel trying to gain his wings.

Shepard ran this season’s holiday show with a skillful hand, bringing in talented actors, both local and overseas, to create a tight ensemble. The cast and crew energetically embraced the spirit of a live radio play with big microphones, flashing applause panels, commercial jingles for local businesses, a live band, and artist Foley doing effects. sound on stage.

(Left to right) Ira Kramer, Jazmin Gorsline, Grace Livingston-Kramer and Heather Astbury-Libby broadcast the news of the unusual Santa Claus at Macy’s department store in the Penobscot Theater Company production of “Miracle on 34th Street, A Live Musical Radio Play. ” Credit: Courtesy of Bill Kuykendall

The show’s biggest flaw was high school student Sophia Steadman’s placement as Foley artist behind the scenes where it was difficult for the audience to see all the things she was using to create the sounds of the doors slammed, shutting windows, pouring coffee, hammer and violin. Few spectators in the area had the opportunity to see sound effects, so moving it down the stage would have allowed the audience to learn more about this stage secret.

The heart of “Miracle on 34th Street” is, of course, Kris Kringle. Ben Laymen gives the character a calming warmth and kind demeanor, the exact opposite of his role in PTC’s latest holiday live show when his schoolteacher, Miss Agatha Trunchbull, portrayed meanness in “Matilda, the Comedy. musical “.

It was hard to recognize Layman under all those fluffy white whiskers like Kringle.

The soul of the show belongs to Brenna T. Converse as Susan Walker. A grade eight student at Bucksport Middle School, she exudes wisdom beyond her years as a girl who more than wants a home for her family. Converse was a natural on stage and stuck with professional and more experienced actors. The joy she showed when Susan discovered how to use her imagination was infectious.

Grace Livingston-Kramer plays a variety of roles, but she almost steals the show every time she picks up a cigar, tilts her legs, and becomes RH Macy, owner of the famous New York department store. His portrayal of the cartoon-like mogul was funny and fun to watch, especially when he has to shake hands with his business rival Gimbel.

Out-of-state Jazmin Gorsline, Reggie Whitehead, along with local actors Ira Kramer and Heather Astbury-Libby complete the case. Gorsline and Kramer are convincingly kind as Doris Walker, Susan’s mother, and Fred Gailey, her neighbor, who fall in love while trying to save Kris Kringle.

RH Macy (Grace Livingstone-Kramer) wonders if her new Santa Claus is helping or interfering with her department store business in the Penobscot Theater Company’s production of “Miracle on 34th Street, A Live Musical Radio Play”. Credit: Courtesy of Bill Kuykendall

“Miracle on 34th Street, A Live Musical Radio Play” was adapted from the 1947 Lux radio show by Lance Arthur Smith. The original songs and arrangements are by Jon Lorenz. It was commissioned and first performed by the San Diego Musical Theater six years ago. Those unfamiliar with the plot of the film and how the radio was broadcast with a live audience may find the plot a bit difficult to follow.

The design team of Sean McClelland, set designer, Scout Hough, lighting designer, Neil E. Graham, sound designer, Kevin Jacob Koski, costume designer, and Meredith R. Perry, real estate designer and Foley, created an atmosphere colorful and fun that made it easy for the actors to move around and convince audiences that it was indeed a radio show.

The group with Larrance Fingerhut on piano, Tommy Libby on drums and percussion and Jean G. Pocius Dorismond on brass never missed a beat. The jazzed up interpretations of Christmas carols by the musicians were delightfully inventive.

Whether or not theatergoers leave the show hopeful or not depends on what they need from the live theater after such a long, unwelcome hiatus. This viewer preferred the “Hell is Others” theme of Some Theater Company’s “No Exit” to the upbeat and hopeful tale of whether Santa is a real person or not.

However, most viewers will be grateful for the hope the show offers.

“Miracle on 34th Street, A Live Musical Radio Play” will run until December 26th. Proof of COVID-19 vaccination is required and masks must be worn throughout the show. For more information, call 942-3333 or visit https://www.penobscottheatre.org.


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Video interview of the panel of the composers’ round table to meet the experts https://abajoeltelon.com/video-interview-of-the-panel-of-the-composers-round-table-to-meet-the-experts/ Sun, 21 Nov 2021 20:00:41 +0000 https://abajoeltelon.com/video-interview-of-the-panel-of-the-composers-round-table-to-meet-the-experts/ When the composer of “Spirit Untamed” Friend Doherty As a child, his mother wrote contemporary musicals for her local school, with lyrics that parody regional politics or world news. This is where Doherty says she first developed a taste for writing music which led her to a career as a songwriter and songwriter. “She would […]]]>

When the composer of “Spirit Untamed” Friend Doherty As a child, his mother wrote contemporary musicals for her local school, with lyrics that parody regional politics or world news. This is where Doherty says she first developed a taste for writing music which led her to a career as a songwriter and songwriter.

“She would come to my school, mortifying, and throw me behind the piano and I had to play all the songs,” Doherty recalls in our “Meet the Experts” panel of songwriters. “But more often than not everything was going wrong on stage and the curtain pulled back and they would play something, so I would be marking this chaos live on stage. I hated it at the time, but oddly enough, it taught me to think on my feet. So sometimes I think it all started there.

Doherty is one of the top five composers who participated in our panel, including the Oscar winner Alexandre Desplat (“La Dépêche française”), National members and twin brothers Aaron and Bryce dessner (“Cyrano”), Dickon hinchliffe (“The Lost Girl”), and Oscar nominee Daniel Pemberton (“Being the Ricardos”).

SEE Gold Derby interviews with 2022 Oscar nominees

“I started to make music in my room. I was asked to do a TV show when I was still in school, a documentary, I didn’t know what I was doing, ”Pemberton recalls of what brought him to music. “I did a few, then took a year off because I felt like everything was fine. So I’m technically still on my sabbatical. I was like, ‘Let’s see how this music career is going.’ The strangest thing is that sometimes I still have dreams where I’m suddenly told that I have to go to college now and I’m like no, no, I’m making music. All is well, all is well.

For Pemberton, and the panelists seemed to agree, being a songwriter is a joy, even on days it isn’t. “As a songwriter, there are days when you’re like ah, it’s a nightmare, it’s terrible, there are all those notes that I don’t agree with,” Pemberton says. “But there are days when it’s so fantastic when I can sit down and make music. Like I’ve done something today and have been smiling all day because making music is awesome. It’s great when it’s in the movie and it’s the best movie, but even doing it is one of those things that I feel very lucky that I can do.

Watch the roundtable video above. Click on each person’s name above to watch an individual solo interview.

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‘Bohemian Rhapsody’ scribe Anthony McCarten sues producers for profits – deadline https://abajoeltelon.com/bohemian-rhapsody-scribe-anthony-mccarten-sues-producers-for-profits-deadline/ Thu, 18 Nov 2021 04:06:00 +0000 https://abajoeltelon.com/bohemian-rhapsody-scribe-anthony-mccarten-sues-producers-for-profits-deadline/ EXCLUSIVE: Bohemian Rhapsody Screenwriter Anthony McCarten has filed a breach of contract complaint against Graham King and his GK films for money owed on the 2018 film nominated for Best Picture about Queen and her iconic singer Freddie Mercury. The trial took place today and shows a fascinating behind-the-curtain glimpse that shows what happens when […]]]>

EXCLUSIVE: Bohemian Rhapsody Screenwriter Anthony McCarten has filed a breach of contract complaint against Graham King and his GK films for money owed on the 2018 film nominated for Best Picture about Queen and her iconic singer Freddie Mercury.

The trial took place today and shows a fascinating behind-the-curtain glimpse that shows what happens when participants rely on the studio’s net point chords. The $ 55 million budgeted film grossed $ 911 million worldwide, and yet, according to financial statements released by the Twentieth Century Fox Film Corporation, Bohemian Rhapsody is in the red, to the tune of $ 51 million.

The lawsuit is a bit twisted, as producer King and his GK Films are named, but not Fox or Disney, who acquired the studio and owns Bohemian Rhapsody in its vast library. The reason is that McCarten’s lawsuit maintains that he made a deal directly with King to receive 5% of GK’s take. Eventually, King ceded all of those offers to Fox and now to Disney. McCarten maintains that the definitions of transaction accounting have changed and that he was not paid a dime from his backend contract and that King did not answer his calls to get paid.

This is an issue that CAA representative McCarten and his lawyers at Kinsella Weitzman Iser Kump Holley LLP want resolved with “damages in an amount to be proven at trial,” a full account of the film and “a judicial declaration of the contractual rights and duties of the parties under the writer’s agreement… By this action, McCarten seeks to force GK Films to keep its promise in the writer’s agreement”, says the 50-page case Wednesday in Los Angeles Superior Court, citing the first of three deals the scribe struck with production company WAGW, Inc. in 2015 for an “amount equal to 5% of 100% of” net proceeds “.”

Fox boarded the biopic Queen in 2016, and the studio insists McCarten is only beholden for profits through his definition of “defined net proceeds,” rather than GK Films’ standard definition of “net proceeds.” , as modified by good faith negotiation.

Representatives for GK Films told Deadline that they believe Fox / Disney should be a part of this action and will contact them immediately to consult with them on future responses.

“Worse yet, it’s not even clear that GK Films ever had standard definition on any film,” says the record of attorneys Dale Kinsella and his partner Nicholas Soltman. The prosecution maintains that the parties did not intend to develop such a definition because it did not intend to “calculate[ing]’and’ determine[ing]“Net proceeds at all.

McCarten is one of the elite screenwriters of factual biographical images. Bohemian Rhapsody won Best Actor honors for Rami Malek and The theory of everything does the same for Eddie Redmayne and Darkest hour claimed the prize for Gary Oldman. More recently, The two popes won nominations for its stars Anthony Hopkins and Jonathan Pryce. He has in preparation the film of Whitney Houston directed by Kasi Lemmons I want to dance with someone at Sony. He is a producer on this film. It has traditionally been rare for screenwriters to be able to receive gross remuneration, unless they are also producers or directors. This makes them vulnerable to the definition of the net, what Eddie Murphy called “monkey points” in a lawsuit against Paramount for Coming to America remaining in the red despite a turnover of 350 million dollars. In an even more egregious example, Deadline revealed a Warner Bros. income statement that claimed that despite Harry Potter and the Order of the Phoenix grossing $ 938 million, the film was $ 167 million in the red.

By the costume, while negotiating his fees for the film, McCarten planned a Coming to America scenario he is in now and believed that a solution had been agreed:

By the way here, by the time he made the writer’s deal, McCarten was aware of the reputation the big studios have for snatching losses from the jaws of profits, including by “defining” profits in the Byzantine way, and then by applying arbitrary and onerous distribution fees. overhead, etc. At the same time, McCarten knew that independent producers, such as GK Films, which had funded the $ 156-170 million Hugo, among other mid to big budget projects, offered a little less money up front than the big studios, but more favorable backend definitions. GK Films, for its part, has embraced the reputation. For example, at the end of the negotiations, when he was frustrated with the low fixed fees that would inspire the cover letter, McCarten called Denis O’Sullivan, then an executive at GK Films. O’Sullivan told McCarten, “The number is what it is, but Graham wants me to tell you that like he did with Cameron Diaz on New York gangs, he will take care of you successfully.

McCarten, not an industry naïve, understood what Graham was telling him, and what he
did not tell him. “He” – Graham King, not Fox, and no other studio – was going to make up for the low fixed costs by paying for it on the backend. But only “in success”. In this context, it made perfect sense that the definition should be that of GK Films and that the “net proceeds” be that of GK Films. Put simply, McCarten understood that GK Films’ “net” revenue would actually look like 5% of what GK Films did in the image – the difference between actual and “net” GK Films revenue being the royalty. of personal video and its unrecovered development expenses (if any). And there was no doubt that GK Films’ definition of “net income” would be more favorable to it than what one major studio called its definition of net income.

Representatives for Disney, which has taken over the assets and obligations of Fox, did not respond to requests for comment.


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Find out if you are familiar with the Oscar winning films https://abajoeltelon.com/find-out-if-you-are-familiar-with-the-oscar-winning-films/ https://abajoeltelon.com/find-out-if-you-are-familiar-with-the-oscar-winning-films/#respond Thu, 11 Nov 2021 08:34:00 +0000 https://abajoeltelon.com/find-out-if-you-are-familiar-with-the-oscar-winning-films/ As the star of Titanic Leonardo DiCaprio is 47 years old today, it is a surprise to learn that the actor has so far attempted a variety of iconic roles in his career and has won millions of hearts. His fans. The actor is well known for his films namely The ghost, Titanic, The 11th […]]]>

As the star of Titanic Leonardo DiCaprio is 47 years old today, it is a surprise to learn that the actor has so far attempted a variety of iconic roles in his career and has won millions of hearts. His fans.

The actor is well known for his films namely The ghost, Titanic, The 11th Hour, Total Eclipse, Catch Me If You Can, Blood Diamond, Inception, The Wolf of Wall Street and many others. Check out Leonardi DiCaprio’s birthday quiz and see if you’re a true fan of the actor or not.

Leonardo DiCaprio’s Birthday Quiz

1. Directed by Scott Kalvert, this film is the 1995 crime drama biopic based on the autobiography written by Jim Carroll. Leonardo tried out the main role in the film.

a. Basketball newspapers

b. Virunga

vs. And we go green

D. Forrest Gump

2. This Leonardo’s star film was a 1996 American romantic crime tragedy that was also re-released in the 2002 Luhrmann Red Curtain Trilogy DVD set. In 1997, the actor won the Silver Bear Award. best actor at the 47th Berlin International Film Festival. for this movie. Name it.

a. Roll or die

b. Born July 4

vs. Romeo + Juliet

D. Vanilla Sky

3. The 2002 American biographical crime film directed and produced by Steven Spielberg starred DiCaprio and Tom Hanks. It was based on the autobiography of Frank Abagnale.

a. Concussion

b. Catch Me If You Can

vs. Seven books

D. king richard

4. Christopher Nolan’s 2010 sci-fi film starred Leonardo DiCaprio as a professional thief named Dom Cobb. Guess the name of the movie.

a. The dead

b. The aviator

vs. Shutter island

D. Creation

5. This 1993 film was one of the actor’s first films in his acting career which featured him as Tobias “Toby” Wolff. Legendary actor Robert De Niro played the role of his stepfather.

a. This boy’s life

b. The color of silver

vs. Cocktail

D. Bloody mom

6. This 2015 film describes the experiences of pioneer Hugh Glass in 1823 and starred Leonardo and Tom Hardy. won the Golden Globe Award, Screen Actors Guild Award, BAFTA Award and Critics’ Choice Award for Best Actor for his outstanding performance in film. Guess the name.

a. The ghost

b. Born to win

vs. The foreigners

D. the wolf of Wall Street

7. This is an upcoming American science fiction black comedy film written, produced and directed by Adam McKay. the film will star Leonardo and Jennifer Lawerence as two astronomers trying to warn the world of coming comets.

a. Ice on fire

b. Moon Flower Killers

vs. Do not seek

D. The 11th hour

8. The 2008 spy thriller starred DiCaprio as Roger Ferris, a CIA agent in Iraq, hunting down a terrorist. The film was also made up of actors, namely Oscar Issac, Mark Strong and others.

a. Shutter island

b. Hubble

vs. Hearing

D. Body of lies

9. The 2006 crime thriller is the remake of the 2002 Hong Kong movie Hellish affairs and stars Di Caprio, Matt Damon, Jack Nicholson and Mark Wahlberg in the lead.

a. The gang that couldn’t shoot straight

b. The dead

vs. Spies in disguise

D. All the good initiatives

10. Directed by Martin Scorsese, the film was released in 2010 and followed the life of US Deputy Marshal Edward “Teddy” Daniels investigating a missing patient from the mental institution.

a. The human contract

b. Risky business

vs. Shutter island

D. Enemy of the State

Here are the answers :

Answers:

1-a

2-c

3-b

4-d

5-a

6-a

7-c

8 days

9-b

10-c

Image: AP / Twitter

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