Curtain design – Abajo El Telon http://abajoeltelon.com/ Thu, 22 Sep 2022 12:25:54 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://abajoeltelon.com/wp-content/uploads/2021/10/icon-120x120.jpg Curtain design – Abajo El Telon http://abajoeltelon.com/ 32 32 The best bathroom rugs and bath mats for 2022 https://abajoeltelon.com/the-best-bathroom-rugs-and-bath-mats-for-2022/ Thu, 22 Sep 2022 12:25:54 +0000 https://abajoeltelon.com/the-best-bathroom-rugs-and-bath-mats-for-2022/ The products reviewed are for anyone who takes bathroom safety seriously and wants to avoid any accidents. Slips and falls may seem like unimportant events, but they can have major consequences. A person is more likely to sustain a head injury or bone fracture with just a slip. As a result, older people can become […]]]>

The products reviewed are for anyone who takes bathroom safety seriously and wants to avoid any accidents. Slips and falls may seem like unimportant events, but they can have major consequences.

A person is more likely to sustain a head injury or bone fracture with just a slip. As a result, older people can become socially isolated and lonely, as they may be afraid to go out and visit relatives and friends for fear of falling. So you can also buy it for an elderly person if you know one.

Bath Mat vs Bath Mat
Knowing the distinctions between a bath rug and a bath rug will give you a good idea of ​​which option is ideal for your bathroom when choosing decor. They are two separate items, although people often refer to them as one.

Be on the lookout for rugs and mats made of water-absorbent materials, as this prevents water from spilling and creating after-bath splashes on your bathroom floor. Water damage to floors happens over time.

If you let the puddles linger for a short time, the sealer on the tile will disintegrate and the linoleum may discolor. Bath mats and mats have a separate role.

It is crucial to understand the specifics of each so that you can make the best decision for your family between a bath rug and a bath rug as they both look different.

What is a Bath Mat?
A bath mat is designed primarily to prevent you from slipping on wet bathroom surfaces. To dry off after taking a bath, place a bath mat in front of the tub or shower. They often have non-slip properties and are particularly absorbent for safety reasons.

What is a Bath Mat?
Luxury bath mats are primarily designed to be an aesthetic part of your bathroom, although they can help absorb moisture after a bath. To complete the effect, bath mats can be matched with the pattern and your bathroom curtains, towels and shower curtains.

They aren’t just for the front of the tub or shower, you can use them anywhere in your bathroom.

Although both are quite attractive, the main difference is that bath rugs are soft and give the room a more opulent feel than bath rugs. While both make great choices for your bathroom at home, the decision between a bath rug and a bath rug comes down to personal preference.

Bath mats rarely have a non-slip backing and are generally more fashionable than practical. After getting out of the shower or bathtub, the latex backing of the bath mats helps you avoid slipping.

Unlike a bath rug, a bathroom rug is often made of a softer, more opulent material. A bath rug, often made of a flat piece of silicone or cotton fabric, is more functional than a bathroom rug and can add a decorative touch to the space.

The two words are often used interchangeably. What matters is if it’s clean, whatever label you give it. Not only for aesthetic purposes, but also for health.

Is it safe to have a bathroom mat?
As long as you follow the cleaning and maintenance guidelines, a bath mat is safe. Since mold and mildew thrive in humid and warm environments, bath mats that dry faster are more hygienic. Every two weeks, wash carpets or bathroom rugs in hot water to keep them clean.

Wooden bath mats are alternatives that do not absorb water while keeping the bathroom clean. You can find a non-slip mat that has always been washable and constructed with non-toxic components if you care about keeping it clean.

Although BPA and phthalates are frequently present in these mats, it is recommended that you use non-slip mats or mats made of non-toxic materials or chemicals.

Should I have a bath mat?
For some people, going to the bathroom can be soothing, but it’s also dangerous. For people with mobility issues, especially the elderly, this could be a concern. According to the World Health Organization (WHO), nearly 30% of the American adult population suffers hip and head injuries from falls in the bathroom.

A person is more likely to sustain a head injury or a broken bone with just a trip. Even though they are not made of glass tiles, someone can still slip if the floors are wet and full of soap scum, which is why you need a bath mat.

Luckily, you can easily prevent falls and improve bathroom safety by using a non-slip bath mat. As you stay there for a while and dry yourself off, this ensures that all the water in the floor is absorbed and provides stability.

Some also put rubber ones in the tub with little suction cups to keep you from rolling over inside the tub and breaking your ribs or even your leg or arm, as this can happen quickly.

Do bath mats actually help prevent slips?
If you are concerned about your safety, non-slip bath mats or shower mats can be useful in your home bathroom. Every year, toilet-related accidents cause around 234,000 emergency room visits, which are mostly caused by slips in the shower.

Non-slip bath mats should often come in handy to prevent falls when taking a shower. Get a non-slip bath mat to be safe, especially if you have a disability or chronic pain.

In addition, a non-slip bath mat is not only advisable but also necessary if you live with children or the elderly. Non-slip bath mats don’t just keep people from falling; they also prevent them from suffering – and not just from the agony that follows a fall.

Since cushioning mats can relieve aches and pains, they are good for your feet and joints. Buying a rubber or foam non-slip mat or rug instead of plastic can give you even more relaxation.

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How the ‘Goodnight Mommy’ Visuals Create Fear and Tension https://abajoeltelon.com/how-the-goodnight-mommy-visuals-create-fear-and-tension/ Tue, 20 Sep 2022 17:15:00 +0000 https://abajoeltelon.com/how-the-goodnight-mommy-visuals-create-fear-and-tension/ Director Matt Sobel tapped production designer Mary Colston and cinematographer Alexander Dynan to subtly underscore a sense of foreboding in his reimagining of the 2014 Austrian psychological thriller “Goodnight Mommy,” on Prime Video. Naomi Watts plays a mother who returns home to her sons after undergoing cosmetic surgery, but isn’t quite the same person who […]]]>

Director Matt Sobel tapped production designer Mary Colston and cinematographer Alexander Dynan to subtly underscore a sense of foreboding in his reimagining of the 2014 Austrian psychological thriller “Goodnight Mommy,” on Prime Video.

Naomi Watts plays a mother who returns home to her sons after undergoing cosmetic surgery, but isn’t quite the same person who left them. Her bandaged face as she recovers hides more than a person healing from a procedure.

Colston wanted the family home to play on the idea that it was “a map of trauma.” The house starts out bright and welcoming with white walls and high ceilings — a look she calls “Goop mom,” after Gwyneth Paltrow’s ambitious brand.

But as the story unfolds, the boys, Elias (Cameron Crovetti) and Lucas (Nicholas Crovetti), begin to notice a change in their mother’s behavior. She tears up their drawings; implements new house rules, such as no running or shouting; and start smoking. At this point, the visuals begin to change and the audience begins to see more of the house.

Dynan’s approach was to experience the home from the boys’ perspective. “We always wanted to be with them, so we used tracking shots and Steadicam at their height so we could see them or what they were looking at,” he says.

Colston made the boys’ room a sanctuary. She used a soothing blue to give it a warm and comforting feel. In contrast, their mother’s bedroom exudes a sense of illness. The curtains are dark and the room itself is dark. “The more you walk into the room, the more the world makes you wonder, ‘What’s going on with this woman? ‘” Colston said.

Colston and Dynan worked to exaggerate the feeling of unease. Deep sea greens and purples were Colston’s favorite colors for Watts’ bedroom, where the curtains were always drawn, with only a few rays of sunlight streaming through.

Deep sea greens and purples were Colston’s favorite colors for Watts’ bedroom to create unease.

Courtesy of Amazon Prime Video

Even the bathroom, where she smokes and tears up her sons’ drawings, is dimly lit to create a sense of danger. Dynan says, “You think, as an audience, that she’s just a stressed mom? Or is there something else?

The family home starts out bright and welcoming with white walls and high ceilings.

David Giesbrecht/ © 2022 Amazon Content Services LLC

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Theater review: “Old Stock: A Refugee Love Story” at Théâtre J https://abajoeltelon.com/theater-review-old-stock-a-refugee-love-story-at-theatre-j/ Mon, 19 Sep 2022 02:09:12 +0000 https://abajoeltelon.com/theater-review-old-stock-a-refugee-love-story-at-theatre-j/ The Wanderer (Ben Caplan) in the J Theater presentation of “Old Stock: A Refugee Love Story” by Hannah Moscovitch, Ben Caplan and Christian Barry. Photo by Ryan Maxwell Photography. A dark, wondrous and unusual musical graces the J Theater at the Edlavitch DCJCC this month. “Old Stock: A Refugee Love Story” chronicles the relationship of […]]]>

The Wanderer (Ben Caplan) in the J Theater presentation of “Old Stock: A Refugee Love Story” by Hannah Moscovitch, Ben Caplan and Christian Barry. Photo by Ryan Maxwell Photography.

A dark, wondrous and unusual musical graces the J Theater at the Edlavitch DCJCC this month. “Old Stock: A Refugee Love Story” chronicles the relationship of two Romanian Jewish refugees in Canada between energetic klezmer music, a musical tradition of Ashkenazi Jews from Central and Eastern Europe. Created by Hannah Moscovitch (read our “A Quick 5” with Hannah Moscovitch here), Ben Caplan and Christian Barry (who also conducts), “Old Stock” is wrapped in the conceit of a traveling troupe of artists and explores where we let’s call home when that home forces us out. Don’t let the love story mislead you. This comedy turns dark with tales of violence, illness and loss. But crisp writing and catchy music make “Old Stock: A Refugee Love Story” a standout delight.

… A dark, wondrous and unusual musical… an uncommon delight.

The Wanderer, played by co-creator and co-composer Ben Caplan, tells “Old Stock” with the energy and booming voice of a showman. Opening the evening with the song “Traveller’s Curse”, he announces “I’ve been defamed as a wanderer/ I’m not/ I got a home, that’s just it/ It’s a place that disturbing right now.” The lovers, Chaya (Shaina Silver-Baird) and Chaim (Eric Da Costa), meet in Halifax, each quarantined by port authorities for suspected cases of typhus and tuberculosis respectively. At 24 and already a widow, Chaya arrived with more than a dozen relatives after a long journey from Romania to Russia and finally ending in Canada. Chaim, a clumsy and serious 19-year-old, arrives alone, his whole family lost in a pogrom. Although Chaim is immediately smitten with Chaya, the decades-long relationship unfolds with much turmoil, both because of the baggage of their past and the struggles of forging a new life in a new land.

In a tight 90-minute show filled with 10 songs, all performers serve as musicians: Ben Caplan on guitar and banjo; Shaina Silver-Baird on violin; Eric Da Cost on woodwinds (especially clarinet); with Graham Scott on keyboard and accordion and Jamie Kronick on drums, rounding out the sound. Ben Caplan and Christian Barry’s lyrics are shrewd and intelligent, especially in the upbeat and exuberant “The Truth Doesn’t Live in a Book” and quietly reflective in “What Love Can Heartbreak Allow.”

Set design by Louisa Adamson and Christian Barry packs the action into a small enclosed space similar to a trailer or train car, suggesting life on the road. It is opened for the performance and then re-wrapped at the end. String lights emanate from the stage, suspended above the audience like in a circus. Fairy lights and lace curtains decorate the warm glow of the caravan. Accessories are minimal – a few suitcases, a tea container and a wrapped cloth. In a life in motion, we manage.

The Wanderer’s costume, designed by Carly Beamish, begins as an absurd ringmaster outfit that includes a lavender jacket with burgundy trim, a ridiculous plume of feathers in the lapel, and a top hat. As the show progresses, the Wanderer sheds these trappings, replaced by a tallit – a prayer shawl. Both Chaya and Chaim wear the simple, conservative styles of the early 1900s, Chaya’s high-necked black blouse a sign of her continued mourning. Although the design dates back a hundred years, this refugee story speaks clearly today.

A powerful and original musical creation, “Old Stock: A Refugee Love Story” lightens a painful story with dark humor. The small cast generates a big sound in the klezmer score, while always returning to the dark nuances of transience and instability. Soon, the troop will be back on the road so go to Theater J while you can!

Duration: Approximately 90 minutes without intermission.

Notice: Teenagers and mature adults.

“Old Stock: A Refugee Love Story” runs through September 25, 2022 at Theater J, 1529 16th Street NW, Washington, DC 20036. For more information and tickets, click here. All Goldman Theater patrons are required to wear masks covering their nose and mouth. Masks are optional but encouraged in lobbies, hallways and other public spaces on Q Street and 16th Street.

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Know Your Neighbors: Duluth Playhouse Fall Productions https://abajoeltelon.com/know-your-neighbors-duluth-playhouse-fall-productions/ Fri, 16 Sep 2022 22:46:14 +0000 https://abajoeltelon.com/know-your-neighbors-duluth-playhouse-fall-productions/ DULUTH, Minn. – “Once also has some very funny moments, but it’s more of an intimate love story, and I think in the fall it’s going to be the perfect show for Duluth,” said Phillip Fazio, artistic director of the produced by Duluth Playhouse. . Once tells the story of an unexpected friendship that grows […]]]>

DULUTH, Minn. – “Once also has some very funny moments, but it’s more of an intimate love story, and I think in the fall it’s going to be the perfect show for Duluth,” said Phillip Fazio, artistic director of the produced by Duluth Playhouse. .

Once tells the story of an unexpected friendship that grows into something more meaningful and complicated through their love for music on the streets of Dublin. the actors are able to take the stage this Friday thanks to a lot of time and effort from the Norshor Theater production team.

“Each show has a run of about half a dozen designers, and then there’s about a dozen or so technicians who build or create those designs. we also have a whole army of volunteers who also help us in our store,” says Fazio.

The production process begins several months in advance with a concept meeting between the director and the designer. the designer takes those ideas from the director and brings back sketches and renders for the group to collaborate on. after a few weeks, an official design is sent to the store where the set is built. once completed, they have about a week to set up the stage set and finalize it for the actors.

“Every design element that I think is important to the storytelling of the show. With set design you can give time, you can give space, you can set the mood, and then if they work in conjunction with our designer lighting, with our costume designer, all of these things help tell a cohesive story,” says Fazio.

“I always love to hear the audience walk into the Norshor, walk in and get a first glimpse of what they see on stage. with many of our productions, we do not have our main curtain, or our show drape, at the top of the show. so as soon as you walk into the theater you see this set and it hits you,” Fazio says.

This year’s productions include a variety of shows, most of which have never been done in Duluth. Anticipation is high for the Duluth Playhouse team as they prepare for the 2022-23 season.

“It’s an interesting and eclectic mix of musicals and plays, contemporary titles, classics that everyone loves. there really is something for everyone this season and we are really looking forward to it.

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‘Jennifer Hudson’ revamps ‘Ellen’ sets, creating an inconsistent look https://abajoeltelon.com/jennifer-hudson-revamps-ellen-sets-creating-an-inconsistent-look/ Thu, 15 Sep 2022 12:40:43 +0000 https://abajoeltelon.com/jennifer-hudson-revamps-ellen-sets-creating-an-inconsistent-look/ The latest entry from Warner Bros. in a syndicated chat, “The Jennifer Hudson Show,” debuted Sept. 12, 2022, from the space previously occupied by “The Ellen DeGeneres Show” — and there were still hints of “Ellen” hanging around. While the main areas of the set were revamped, other parts of the set were easily recognizable […]]]>

The latest entry from Warner Bros. in a syndicated chat, “The Jennifer Hudson Show,” debuted Sept. 12, 2022, from the space previously occupied by “The Ellen DeGeneres Show” — and there were still hints of “Ellen” hanging around.

While the main areas of the set were revamped, other parts of the set were easily recognizable as holdovers from the “Ellen” era, although most received a small update.

One of the most obvious examples of this is the massive video wall-sliding doors that Ellen DeGeneres entered through. Of course, the “Ellen” graphics and the familiar simulated checkerboard pattern (left over from when this wall was made up of segmented light boxes with a simulated stone look) are no longer displayed.

In fairness, considering what this item must have cost given its size and motorized elements, it’s no surprise the producers chose to keep it.

The space behind the sliding walls is similar to the days of “Ellen”, where it served as a performance and multi-purpose area and featured an additional large LED video wall.

Also, while the audience area was updated, it was quite easy to see that, structurally, it was very similar to the “Ellen” days.

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A big update is a large white floor segment with a “J.Hud” abbreviation etched on it. This same abbreviation is used in the bug and is also the name of Jennifer Hudson’s production company.


That said, the central part of the space has been rebuilt into a semi-circular core with a curved sofa in front. In the center is a large structural element featuring an oversized seamless LED array while to either side simulated windows are separated by paneled walls with sconces.

Furnishings are done in soft shades of beiges, grays and reds, with the sofa seeming to be an integral part of the whole. This is accompanied by a coffee table in pale wood tones with exaggerated wooden spheres as legs.

The softer tones and curves give this area a little throwback to the late 1990s and early 2000s, perhaps a nod to when Hudson rose to fame on “America Idol.”

Meanwhile, show graphics and other elements bring a bold pop of color to the space. Key art and the show’s opening use a mix of orange, purple, magenta, and gold along with sparkles and bursts of light. These are brought to set through the two large video arrays as well as built-in edge and accent lighting in vibrant colors, such as the purple vertical lines found in the base background of the home.

While “Ellen” had an abundance of succulents on her set, Jennifer Hudson’s background is more floral.

To the far right of the home base camera is a space for a piano that is wrapped in a large wall with framed prints. Large, dark, floor-to-ceiling curtains frame this part of the studio.

Guests enter from behind the central structural element, walking behind a row of floral accents to a space that leads into the heart of the whole.

Overall, the “Jennifer Hudson Show” set seems a bit disjointed. The gentle curves in the primary area are not well executed in the remnants of “Ellen”, which are boxy and structural. The piano area feels cramped and improvised – and doesn’t read well on camera.

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Although the color palette and lines of the sofa area look slightly dated, they are consistent – in the sense that they take this concept and work with it. Neon-style edge lighting adds to the effect, but the whole thing abruptly turns into a flat wall with picture rail that has little in common with the main space.

As mentioned, the large sliding video wall and audience landscape don’t help create much consistency.

Images courtesy of Warner Bros.

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New Classic hosts ‘royal’ going out party at High Point Premarket https://abajoeltelon.com/new-classic-hosts-royal-going-out-party-at-high-point-premarket/ Tue, 13 Sep 2022 19:02:22 +0000 https://abajoeltelon.com/new-classic-hosts-royal-going-out-party-at-high-point-premarket/ HIGH POINT – New Classic gave High Point Premarket attendees a first look at one of its biggest product introductions, which spans nine new collections and takes up the entire fourth floor of the downtown showroom building. ‘company. The new Royal Classic assortment features ornate classic European designs in a myriad of finishes including bedrooms, […]]]>

HIGH POINT – New Classic gave High Point Premarket attendees a first look at one of its biggest product introductions, which spans nine new collections and takes up the entire fourth floor of the downtown showroom building. ‘company.

The new Royal Classic assortment features ornate classic European designs in a myriad of finishes including bedrooms, dining rooms and living rooms. “This is a collection-based customer,” New Classic president Scott Hill told Furniture Today. “If they buy the bedroom, they want the dining room. If they buy the dining room, they want the living room. It’s the look that is important to them.

To reflect this consumer attribute, the floor was marketed by collection rather than by piece, and the company encourages its sales team and customers to present it that way. “Selling it this way will allow retailers to create bigger tickets,” Hill explained.

Pieces in the collections feature ornate moldings, carvings and hardware reflecting the formal, classic European style that inspired the assortment.

To create the proper setting for the massive introduction, the company renovated the entire fourth floor of its downtown High Point showroom; a project that lasted more than a year. The redesign includes murals reminiscent of the Palace of Versailles in Paris and colorful floor-to-ceiling curtains above the windows to create a luxurious backdrop reflecting the design aesthetic of the assortment.

Hill described Royal Classic as an “affordable enhancement” assortment that will allow retailers to offer high perceived value while achieving affordable prices. For example, the Palazzo Montecito Collection features a huge four-poster king-size bed with an ornate metal scroll canopy priced to allow the company’s container customers to reach a retail price of $1,299 at full markup. . The entire Palazzo Montecito collection can be marketed in 2,000 square feet on the retail floor.

Although Royal Classic has a strong design point of view, it’s a look that appeals to a customer base that can be found in most markets across the country, according to Hill. “Every community in the United States has pockets of this customer,” he said.

He noted that the company is seeking patents for certain attributes on seven of the initial nine collections.

A release party is planned for October’s High Point Market, the theme of which will match the new Royal Classic assortment.

See also

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FDA sends warnings to companies for Listeria in facilities, import violations https://abajoeltelon.com/fda-sends-warnings-to-companies-for-listeria-in-facilities-import-violations/ Mon, 12 Sep 2022 04:10:22 +0000 https://abajoeltelon.com/fda-sends-warnings-to-companies-for-listeria-in-facilities-import-violations/ As part of its enforcement activities, the Food and Drug Administration issues warning letters to entities under its jurisdiction. Some letters are not displayed to the public until weeks or months after they are sent. Business owners have 15 days to respond to FDA warning letters. Warning letters are often not issued until a company […]]]>

As part of its enforcement activities, the Food and Drug Administration issues warning letters to entities under its jurisdiction. Some letters are not displayed to the public until weeks or months after they are sent. Business owners have 15 days to respond to FDA warning letters. Warning letters are often not issued until a company has had months or even years to correct the issues.


Sun Sen Co. Inc.
Sacramento, California

A California food company has been warned after environmental samples taken by FDA investigators tested positive for Listeria. The company was also cited for other serious violations.

In an August 17, 2022 warning letter, the FDA described the March 28-30, 2022 and April 11, 2022 inspections of Sun Sen Co. Inc. in Sacramento, California.

FDA inspection revealed serious violations of regulations relating to standards for growing, harvesting, packaging, and storing products for human consumption and resulted in the issuance of an FDA Form 483 . The significant violations are as follows:

Produce security policy violations

During the inspection, FDA investigators observed the following significant violations:

1. The company has not established or implemented a written environmental monitoring plan designed to identify species of Listeria or Listeria monocytogenes if present in the growing, harvesting, packaging and holding environment in accordance with the requirements. On April 11, 2022, the company told the FDA investigator that it had not established such a written plan and had never tested the environment for growing, harvesting, packaging and storing the germs for Listeria or Listeria monocytogenes species. This deviation from the PSR has already been discussed with them during the inspections conducted on July 26, 2018 and August 3, 2021. On April 11, 2022, at the end of the current inspection, they declared their intention to create a plan written for environmental sample and contact an accredited laboratory to begin monitoring for Listeria species or Listeria monocytogenes in their growing, processing, packaging and sprout holding areas. However, they have provided no evidence to support the remedies they are proposing.

2. The company failed to take the actions listed in 21 CFR 112.146, after its growing, harvesting, packaging, or holding environment tested positive for Listeria species or Listeria monocytogenes. On March 28, 2022, FDA investigators took environmental samples. Analysis of these samples identified Listeria seeligeri in one of 102 environmental swabs. Sub 28 was collected from a common surface between their metal germ wash tank and the outer metal surface in their germ growth chamber. On April 11, 2022, upon completion of the inspection, they stated that they had covered the area with a non-porous plastic drop sheet and would perform additional cleaning of the area. They provided no evidence to support their proposed corrective actions. Additionally, their proposed corrective action does not include additional testing of surfaces and surrounding areas, cleaning and disinfecting affected surfaces, performing additional sampling to determine if Listeria seeligeri has been eliminated, and other actions. necessary to prevent the recurrence of contamination if necessary. .

3. The company has not established or implemented a written sampling plan to test sprout-depleted (SSIW) irrigation water or sprouts being treated for pathogens as specified and in accordance with regulations. On April 11, 2022, they told FDA investigators that they had not collected and tested a sample of SSIW, or sprouts being processed, since their involvement in a sprouting seed supplier recall in 2004. This deviation from the PSR has already been discussed with the, during inspections conducted on July 26, 2018 and August 3, 2021. On April 11, 2022, at the end of the current inspection, they stated that they establish a written SSIW sampling plan and contact an accredited laboratory to begin collecting an SSIW or in-process sprout sample from each production batch of alfalfa and clover sprouts. However, they did not provide any evidence to support their proposed actions.

4. The company has not properly cleaned and disinfected the food contact surfaces it uses to grow, harvest, package or store sprouts before any contact with the sprouts or the seeds or beans used to make grow sprouts, as needed. During the most recent inspection, FDA investigators observed:

  • About 10 impure (redacted) perforated bins used to hold alfalfa and clover sprouts being processed, washed and ready to use, stacked inside each other.
  • Four dirty wire mesh screens located inside the (redacted) identified as “2 West”. On March 29, 2022, they said this grow unit was cleaned in accordance with company sanitation procedures. After cleaning, their sprout production worker then placed alfalfa seeds (lot #SAL2-20GJ) and purple clover seeds (lot #SCL2-21BJ) into a (redacted) identified as “(redacted)to germinate and grow within this unclean culture unit.

The company’s failure to clean and sanitize food contact surfaces in accordance with the PSR was already discussed with them during the inspection conducted on August 3, 2021.

Additionally, on March 28, 2022, the company told FDA investigators that their method of cleaning and disinfecting involves scrubbing and then rinsing food contact surfaces with an undiluted concentration of (redacted). The company’s inadequate sanitation practices and the use of a disinfectant agent instead of conducting cleaning activities were also discussed at a regulatory meeting on December 15, 2021.

5. The company has not established or kept documentation of the date and method of cleaning and disinfecting equipment, as required. On March 28, 2022, they explained to FDA investigators that they had not established and did not maintain documentation of when and how they cleaned and disinfected food contact equipment and tools used in the growing, harvesting, processing and packaging of alfalfa and cloverleaf. This deviation from the PSR had already been discussed with them during the inspections carried out on July 26, 2018 and August 3, 2021.

6. Company personnel failed to use the sanitation practices listed in 21 CFR 112.32. On March 28 and 29, 2022, FDA investigators observed employees touching non-food contact surfaces, including personal clothing, a cell phone, the end cold room plastic strip curtain south and a pallet truck. The same employees were then observed harvesting, washing and packing alfalfa and clover sprouts without changing gloves or washing their hands. On April 11, 2022, upon completion of the inspection, they stated that they will implement an employee training program. However, they provided no evidence to support their proposed corrective actions.

7. Company has failed to adequately train personnel who handle (contact) covered products or food contact surfaces, and personnel who perform covered activities, as required. They said they had not successfully completed food safety training at least equivalent to that received through a standardized curriculum recognized as adequate by the United States Food and Drug Administration. Additionally, they stated that they currently have (redacted) full time and (redacted) part-time employees who received no training when they were hired, nor any training since. On April 11, 2022, upon completion of the inspection, they stated that they will implement an employee training program. However, they did not provide any evidence to support this proposed remedy.

The full warning letter can be viewed here.

Visvita Corporation
Fullerton, California

An import company in California is warned by the FDA that it does not have an FSVP for a number of imported food products.

In an August 23, 2022 warning letter, the FDA described an April 26, 2022 Foreign Supplier Verification Program (FSVP) inspection of Visvita Corporation in Santa Fe Springs, California.

The FDA inspection revealed that the company was not in compliance with FSVP regulations and resulted in the issuance of an FDA Form 483a. Significant offenses are:

The company has not developed, maintained and followed an FSVP as required. Specifically, they have not developed FSVPs for any of the food products they import, including each of the following foods:

  • Visvita Chia Beverage – Guanabana flavor imported from (redacted)situated in (redacted).
  • Aloe Vera drink – Pomegranate flavor imported from (redacted)situated in (redacted).
  • Cold Brew coffee powder imported from (redacted)situated in (redacted).

The full warning letter can be viewed here.

Distributors Mercado Hispano, LLC
Tucker, Georgia

An import company in Georgia is notified by the FDA that it does not have an FSVP for a number of imported food products.

In an August 2, 2022 warning letter, the FDA described a Foreign Supplier Verification Program (FSVP) inspection from February 23 to March 23, 2022 of Mercado Hispano Distributors, LLC in Tucker, GA.

The FDA inspection revealed that the company was not in compliance with FSVP regulations and resulted in the issuance of an FDA Form 483a. Significant offenses are:

The company has not developed, maintained and followed an FSVP as required. Specifically, they have not developed FSVPs for any of the food products they import, including each of the following foods:

  • (Redacted) cola and (redacted) Manzana imported from (redacted)situated in (redacted)
  • (Redacted) Grapefruit imported from (redacted)situated in (redacted)

The full warning letter can be viewed here.

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The Jushi Tower / GN Architects https://abajoeltelon.com/the-jushi-tower-gn-architects/ Sat, 10 Sep 2022 02:00:00 +0000 https://abajoeltelon.com/the-jushi-tower-gn-architects/ The Jushi Tower / GN Architects © Wenjun Liang + 36 To share To share Facebook Twitter Mail pinterest WhatsApp Or https://www.archdaily.com/988612/the-jushi-tower-gn-architects © Wenjun Liang Text description provided by the architects. Fenghuang Lake CBD is the densest block of global leading enterprises in the segmented industry in Jiaxing, Zhejiang Province. Since 2010, with the completion […]]]>

The Jushi Tower / GN Architects

The Jushi Tower / GN Architects - Exterior photography, cityscapeThe Jushi Tower / GN Architects - Exterior photography, cityscapeThe Jushi Tower / GN Architects - Exterior Photography, Windows, FacadeThe Jushi Tower / GN Architects - Interior photography, windows, lighting+ 36